Project 2a: Re-Visiting the diagram

I'm still not sure what film has to do with morphology and versioning, but I'll humor you. Above is a diagram of the camera movement for the clip of La double vie de Veronique. The scene only has 10 cuts as opposed to 33. Below I tried to map what was actually happening.

CUT 1: The camera begins by focusing on Weronika ad a figure in a ground, but as she passes the camera, Weronika becomes the ground that frames the background action.
CUT 2: The camera shows Weronika as a figure again. This is a very cropped shot.
CUT 3: The camera shows Veronique as she boards the bus.
CUT 4:The camera shows Weronika, more of Veronique's figure (not so focused in on the face anymore) to set up for Cut 6.
CUT 5: Veronique is show on the bus.
CUT 6: As Weronika circles the bus. the camera spins with her.
CUT 7: The bus spins, hiding the view of Veronique from Weronika, causing . . .
CUT 8: Weronika rapidly rotates around the bus (the camera following that spin.) Weronika pauses as . . .
CUT 9: The bus spins again affording Weronika a view of Veronique, but turns away for the last time.
Cut 10: The camera shows Weronika still standing in the plaza.