This is probably the shortest reading, we will every get in this class. Cohen proposes a stereotonic technique of projection(s). A system of opposing projections that are combined to become "techniques of formal transgression". In other words, opposing projections that when combined offer a transitional state of the object. This sort of ties everything back to the project, where we can imagine film offers us multiple views of a space. Combining theses views not to rebuild the space, but to inform us about the camera and it's movement.
(I suppose that's what we are doing for part b.)
2007年4月24日 星期二
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